Images: Jonathan Russell / www.criterionauctioneers.com.
No recorded provenance, but it has all the characteristics of Annie’s later paintings – variation of colour across the canvas with no broad monochrome areas, skilled modelling of the hands, ‘unfinished’ appearance, lack of detail in peripheral areas. The framing and labeling are all appropriate to the attribution.
The treatment of the hands is similar to those in Count Zouboff, dated 1908-9. There are three hands, the centre one being mostly overpainted by the lower hand.
A label on the back refers to the picture having been included in an exhibition, ‘A Painter’s Choice,’ arranged by the ‘Art Exhibitions Bureau,’ Suffolk Street, Pall Mall (a street just to the north-west of Trafalgar Square, London). Another label identifies the frame as having been fitted or restored by James Bourlet and Sons, a London fine art framing specialist.
A photograph from 1922 shows Annie wearing rings on the outer fingers of her left hand, so this could possibly be a ‘hands self-portrait.’
- Media: oil on canvas.
- Dimensions: 305 x 380 mm (0.12 m²) unframed.
- History: date unknown, but possibly c. 1908-9 by similarity to Count Zouboff; auctioned 6 Mar 1986, Christie’s, sold; 19 May 1999 Christie’s, South Kensington, ‘The El Helou Collection,’ “provenance Edward Le Bas RA, Sir Gerald Kelly ARA”; auctioned Criterion, Islington, 26 Aug 2019, sold.
- Location: private collection.
In Annie’s posthumous studio sale there were at least two ‘studies of hands’ in the ‘unfinished and unstretched’ part of the auction, lot 145, ‘A study of hands,’ sold with three other paintings, and lot 150, ‘Studies of hands, etc.’, three paintings sold together under this title. A ‘Study of hands‘ was auctioned at Christie’s, 6 Mar 1986, the dimensions given are almost identical to this work, so probably the same painting.