I’ve just realised there are two versions of Isabel Dacre’s Portrait of Alderman Thomas Baker. A simpler version with his head and upper body in front of a book case, gifted by Henry Boddington to Manchester Art Gallery in 1911, and a more finished version of him holding a book, which hangs in Manchester Town Hall.
I must have looked at both pictures many times on the web, but never mentally registered there were two versions, even though even the basic colour schemes are obviously different – one red and one blue!
The human brain is a strange thing, sometimes seeing neither the wood, nor the trees. I once emailed a globally recognised authority on avian classification, asking why he arranged species in such a way, specifically placing a genera of what I understood were non-passerines in a passerine group. He emailed back his thanks, saying he was mystified not only how he’d made the original error, but never noticed it on numerous reviews of the group, nor had any of his colleagues.
This brings the total number of works by the artist known by image to thirty-six, twenty-three in public collections (twenty-two in the UK, and the Portrait of a young girl in a satin cap in the André Del Debbio collection, Paris).