Photographs* from the 1923 exhibition show thirteen otherwise unknown paintings. The images are of poor quality, but should the works ever reappear at auction or elsewhere they may be identifiable.

   

• #1 – Painting, approx. 540 x 590 mm (0.32 m²).
• #2 – Identified (March 2020) as The Cup-bearer from image in Royal Academy Illustrated, 1929.
• #3 – Painting, approx. 570 x 920 mm (0.52 m²).

 

• #4 – Child in a frock, approx. 750 x 980 mm (0.74 m²).
• #5 – Scene with arched top, approx. ? x 2000 mm. (Dimensions of canvas estimated from arc of arch  in reconstruction above.)

 

• #6 – Landscape, approx. 600 x 530 mm (0.32 m²).
• #7 – Landscape?, approx. 610 x 510 mm (0.31 m²).

 

• #8 – Upper part of a figure, approx. 380 x 440 mm (0.17 m²).
• #9 – Identified (March 2020) as On His Mother’s Knee from image in Royal Academy Illustrated, 1929 (March 2020).

 

• #10 – Landscape?, approx. 1090 x 680 mm (0.74 m²).
• #11 – Standing figure, approx. 460 x 620 mm (0.31 m²).

• #12 – Landscape?, approx. 520 x 590 mm (0.31 m²).

   

• #13 and #14  – Visible through doorway – may not be Annie Swynnerton paintings.
• #15 – Painting, approx. ? x 1080 mm.

Thanks to Grant Waters for scans of Royal Academy Illustrated catalogues allowing identification of some otherwise unknown works.

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* The photographs were on display during the 2018-2019 ‘Painting Light and Hope exhibition‘ of Annie’s works at Manchester Art Gallery.

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